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- W3150862242 abstract "Abstract In the text I examine how can the feminist history of addressing the social reproduction add to the discussions about the contemporary precarity of artists. It can help us to disclose another notion of the life of the artist, which is a multiple, dependent life, embodied, situated, and disproportionate, deeply entangled with the social reproduction of life. The art field is full of symptoms of contemporary world and is therefore a field of inequality, power dynamics, subjugated to the economy of growth and continuous development. In this sense, the discourse on precarity has to be more situated and entangled with the situations of working, living, speaking, and imagining. Here, intersectional feminist approaches are very good examples of the situated ethical relationality. Such relationality opens art as a mode of living and an inhabiting of the world, where equality, existence, and survival are part of the bodily and poetic imagination." @default.
- W3150862242 created "2021-04-13" @default.
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- W3150862242 date "2020-12-01" @default.
- W3150862242 modified "2023-09-25" @default.
- W3150862242 title "Precarity, self-organization and the life of artists" @default.
- W3150862242 doi "https://doi.org/10.1386/maska_00049_1" @default.
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