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- W3153670950 abstract "The current Anglophone theorists criticize Jean-Philippe Rameau for the imperfection of mathematical apparatus, the problem of natural interpretation of a minor triad, and unartistic treatment of the bass line. However, if to look at this with an unbiased eye, one can notice that Rameau lived in the center of the emerging scientific culture of unprecedented magnitude and depth. Rameau’s contemporary mathematics, physics, geometry, language theory and general scientific categories should have influenced him. The method used in this presentation takes into consideration the possibility for Rameau of absorbing these ideas without directly referencing them. It is difficult to explain, otherwise, the discovery of tonal-harmonic functions by Rameau without the analogy with the introduction of the term function by Gottfried Leibniz and Johann Bernoulli. It is hard to imagine that Rameau himself put all chords and their modifications into classification in a form of magnificent double hierarchy without the innovations of Carolus Linnaeus. The order of chords in the fundamental bass progression could not have seen the light without the universal syntax of Antoine Arnauld and Pierre Nicole. The concept of physical or quasi-physical motion in music, established by Rameau, depends on discoveries of differential calculus by Leibniz and Newton. The infinite approximation of the leading tone to tonic is the manifestation of the idea of infinitesimal (inverted infinity) of Leibniz. It is time to revisit Rameau, to place him in the real context of his time and, perhaps, reevaluate the significance of his contribution to the theory and art of music." @default.
- W3153670950 created "2021-04-26" @default.
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- W3153670950 date "2021-01-01" @default.
- W3153670950 modified "2023-09-25" @default.
- W3153670950 title "Rameau and the Sciences: The Impact of Scientific Discoveries of the Lumières on Rameau’s Theory of Harmony" @default.
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- W3153670950 doi "https://doi.org/10.1007/978-3-030-74039-9_2" @default.
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