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- W3154951330 abstract "Whereas the films by the screenwriter and film director Paul Schrader lack the rigorous formal choices of the transcendental style he ascribed to Yasujiro Ozu and Robert Bresson, no film of his as a director has been closer conceptually to this sort of style than his twentieth feature, First Reformed (2017). He made this picture during the same period as his essay “Rethinking Transcendental Style”, written as an introduction to a new edition of his 1972 study Transcendental Style in Film: Ozu, Bresson, Dreyer. Here First Reformed, which has received more positive accolades than any of Schrader’s other films, is read as a reimagining of Ingmar Bergman’s Nattvardsgatterna (Winter Light, 1963) and as a work manifesting key influences from two films by Robert Bresson: Journal d’un cure de campagne (Diary of a Country Priest, 1951) and Pickpocket (1959). This article aims to articulate the stylistic influences informing First Reformed, paying particular attention to the dissonance between word/text/voice and image. It reflects upon the sparsity of words in Ozu, the monotonous voices in Bresson, the speech acts in Carl Theodor Dreyer’s cinematic oeuvre, and the fruitless verbosity in Bergman’s so-called trilogy of faith. ." @default.
- W3154951330 created "2021-04-26" @default.
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- W3154951330 date "2021-02-09" @default.
- W3154951330 modified "2023-09-26" @default.
- W3154951330 title "Words don't come easy: the transcendental style of Paul Schrader's first reformed" @default.
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