Matches in SemOpenAlex for { <https://semopenalex.org/work/W3156284485> ?p ?o ?g. }
Showing items 1 to 74 of
74
with 100 items per page.
- W3156284485 endingPage "151" @default.
- W3156284485 startingPage "135" @default.
- W3156284485 abstract "Virginia Woolf often asks us important literary questions in a form which only literature, and not literary criticism, can answer (e.g. how much poetry can we see in a single day in the life of Clarissa Dalloway?). In “Women and Fiction,” Woolf urges us to consider the lives of extraordinary women writers only in the light of the lives of ordinary women, because these were the ways of life experienced by extraordinary women writers, too. But stated in this rather literary form, there is not much the critic or even the linguist can say: the lexical pair “extraordinary” and “ordinary,” defined only in opposition to each other, seem to demand novelistic rather than critical treatment. In this paper, we reframe the question so that we can bring to bear literary critical and even linguistic methods. We take it that between the fifteenth and the eighteenth century, a woman for whom writing was an occupation was “extraordinary,” even if the lives they led at home were much like those of other women. Such women writers sometimes enjoyed rather more opportunities than ordinary women; for example, the medieval mystic Margery Kempe had extraordinary opportunities for religious contemplation, travel, and renown in addition to the usual chances available to a housewife and a mother. It is true that sometimes these women had even more meagre affordances than ordinary women; for example, Mary Wollstonecraft, who did not live to enjoy either married life or motherhood for very long. However, it is also true that in both cases, texts had to bear the imprint of the lives of the ordinary women who read and had to understand them. This paper takes an interdisciplinary approach, combining grammar and history to trace the emergence of a female voice and a female subject in autobiographical and travel writing." @default.
- W3156284485 created "2021-04-26" @default.
- W3156284485 creator A5036105216 @default.
- W3156284485 date "2021-01-01" @default.
- W3156284485 modified "2023-09-28" @default.
- W3156284485 title "Why Women Write: The Evolution of Narrative Voice in Autobiographical Travel Writing from Margery Kempe to Mary Wollstonecraft" @default.
- W3156284485 doi "https://doi.org/10.15794/jell.2021.67.1.007" @default.
- W3156284485 hasPublicationYear "2021" @default.
- W3156284485 type Work @default.
- W3156284485 sameAs 3156284485 @default.
- W3156284485 citedByCount "0" @default.
- W3156284485 crossrefType "journal-article" @default.
- W3156284485 hasAuthorship W3156284485A5036105216 @default.
- W3156284485 hasConcept C107038049 @default.
- W3156284485 hasConcept C107993555 @default.
- W3156284485 hasConcept C124952713 @default.
- W3156284485 hasConcept C142362112 @default.
- W3156284485 hasConcept C142932270 @default.
- W3156284485 hasConcept C144024400 @default.
- W3156284485 hasConcept C164913051 @default.
- W3156284485 hasConcept C169081014 @default.
- W3156284485 hasConcept C177897776 @default.
- W3156284485 hasConcept C199033989 @default.
- W3156284485 hasConcept C2778605801 @default.
- W3156284485 hasConcept C2778873432 @default.
- W3156284485 hasConcept C2781119825 @default.
- W3156284485 hasConcept C74916050 @default.
- W3156284485 hasConcept C95457728 @default.
- W3156284485 hasConceptScore W3156284485C107038049 @default.
- W3156284485 hasConceptScore W3156284485C107993555 @default.
- W3156284485 hasConceptScore W3156284485C124952713 @default.
- W3156284485 hasConceptScore W3156284485C142362112 @default.
- W3156284485 hasConceptScore W3156284485C142932270 @default.
- W3156284485 hasConceptScore W3156284485C144024400 @default.
- W3156284485 hasConceptScore W3156284485C164913051 @default.
- W3156284485 hasConceptScore W3156284485C169081014 @default.
- W3156284485 hasConceptScore W3156284485C177897776 @default.
- W3156284485 hasConceptScore W3156284485C199033989 @default.
- W3156284485 hasConceptScore W3156284485C2778605801 @default.
- W3156284485 hasConceptScore W3156284485C2778873432 @default.
- W3156284485 hasConceptScore W3156284485C2781119825 @default.
- W3156284485 hasConceptScore W3156284485C74916050 @default.
- W3156284485 hasConceptScore W3156284485C95457728 @default.
- W3156284485 hasIssue "1" @default.
- W3156284485 hasLocation W31562844851 @default.
- W3156284485 hasOpenAccess W3156284485 @default.
- W3156284485 hasPrimaryLocation W31562844851 @default.
- W3156284485 hasRelatedWork W1564284136 @default.
- W3156284485 hasRelatedWork W1984526157 @default.
- W3156284485 hasRelatedWork W2000305944 @default.
- W3156284485 hasRelatedWork W2041511696 @default.
- W3156284485 hasRelatedWork W2070925068 @default.
- W3156284485 hasRelatedWork W2083101130 @default.
- W3156284485 hasRelatedWork W235982970 @default.
- W3156284485 hasRelatedWork W2484691168 @default.
- W3156284485 hasRelatedWork W2489567746 @default.
- W3156284485 hasRelatedWork W2490523096 @default.
- W3156284485 hasRelatedWork W2491186171 @default.
- W3156284485 hasRelatedWork W2766455481 @default.
- W3156284485 hasRelatedWork W286126022 @default.
- W3156284485 hasRelatedWork W3025484099 @default.
- W3156284485 hasRelatedWork W3107572299 @default.
- W3156284485 hasRelatedWork W3186346008 @default.
- W3156284485 hasRelatedWork W31995644 @default.
- W3156284485 hasRelatedWork W3209750995 @default.
- W3156284485 hasRelatedWork W347601061 @default.
- W3156284485 hasRelatedWork W2609640561 @default.
- W3156284485 hasVolume "67" @default.
- W3156284485 isParatext "false" @default.
- W3156284485 isRetracted "false" @default.
- W3156284485 magId "3156284485" @default.
- W3156284485 workType "article" @default.