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- W3160974967 abstract "What would it mean to fix by adapting his works? The three essays that follow engage with the Fixing adaptation series, put on in Austin, Texas by local theatre company The Rude Mechs. The series so far comprises playwright Kirk Lynn's adaptations of King John, Timon of Athens, and Troilus and Cressida. By these plays, the Rude Mechs seek, as their website proclaims, to Shakespeare's least produced plays again (Rude Mechs 2013). Kathryn Van Winkle, Loren Cressler, and Kristin Perkins each address one of these productions, tackling such questions as what does it mean to make a play useful by adapting it, and how does one go about doing so? When adapting a Shakespeare play, what, if anything, does the playwright owe to Shakespeare? What are the risks of reshaping Shakespeare's plots and characters with the goal of speaking to contemporary concerns? Is Shakespeare broken? Can his works be fixed? If so, did Lynn and the Rude Mechs succeed in fixing them?" @default.
- W3160974967 created "2021-05-24" @default.
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- W3160974967 date "2019-05-01" @default.
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- W3160974967 title "Introduction: The Fixing Shakespeare Appropriations in Performance Cluster" @default.
- W3160974967 hasPublicationYear "2019" @default.
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