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• W3162996754 abstract "Abstract The final chapter consolidates the implications of the foregoing argument for the interpretation of early modern literature, in part by returning to the start of the story, in Shakespeare; but it approaches Shakespeare by way of an eighteenth-century phenomenon: the rise of works of “character criticism” represented for example by William Richardson’s essays. Eighteenth-century character criticism has long been seen as a new way of reading Shakespeare, even the intrusion of something foreign to Shakespeare’s plays. The word for that foreign element is often “psychology,” especially as allied to reading practices associated with the novel. This chapter argues that the real roots of character criticism lie in much older theories of the passions. The psychology at work is not nearly as new as has been claimed, as can be seen by contrasting Richardson’s essays with one of the books he cites: Edmund Burke’s treatise on the sublime and beautiful. The chapter then circles back to Shakespeare’s Hamlet, arguing that Shakespeare’s plays already contain the elements of a psychology: an externalist psychology grounded in rhetoric and its account of the circumstantial mimesis of actions as an instrument of the knowledge of the passions. Shakespeare’s plays could become the material for a science of the passions because in some sense they already were: instances of a circumstantial knowledge of the passions produced according to principles first theorized by rhetoric, which themselves shaped the new sciences of the mind that developed in the seventeenth and eighteenth centuries." @default.
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• W3162996754 date "2021-05-27" @default.
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• W3162996754 title "Passion’s Fictions" @default.
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• W3162996754 doi "https://doi.org/10.1093/oso/9780198869177.003.0007" @default.
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