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- W3163670088 abstract "Abstract The chapter describes the manifold interactions between composers and computers in the creative process. Over time, this dialogue dating back to the 1950s has transcended the paradigm of the traditional compositional process and lead to a number of interesting implications and side effects in the context of current trends in algorithmic composition, generative music, and computational creativity. It is not just the computer but also the choice of software and a specific view on the musical material that are the decisive factors in generative and analytical approaches (which are often interlinked), where strategies of musical representation and the choice of a particular mapping are of crucial importance. Finally, the chapter examines how creativity can be defined and located in this interaction between human and machine." @default.
- W3163670088 created "2021-05-24" @default.
- W3163670088 creator A5065845994 @default.
- W3163670088 date "2021-05-12" @default.
- W3163670088 modified "2023-09-27" @default.
- W3163670088 title "On Composers and Computers" @default.
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- W3163670088 doi "https://doi.org/10.1093/oxfordhb/9780190636197.013.27" @default.
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