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- W3170473614 abstract "This chapter explores the tensions that arose between professional identities and cultural policies as it analyzes the strategies of stakeholders and the collective actions that drastically reconfigured an entire profession and rewrote public policy from the ground up. In analyzing the links between museum curators and cultural policy, one must consider the various professional segments and levels of French public policy. In the early 20th century, museums and their curators underwent a process of reorganization. In the years between the wars, the International Museums Office (IMO), which became the ICOM (International Council of Museums) in 1947, established a new museum doctrine that placed local institutions in a more educational context. The Vichy regime supervised this restructuring, which saw France's museum system reorganized under the Fine Arts Museums Act of August 10, 1941. This act gave the Musees de France Directorate (DMF), which replaced the Reunion des Musees Nationaux, authority over all museums." @default.
- W3170473614 created "2021-06-22" @default.
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- W3170473614 date "2016-05-13" @default.
- W3170473614 modified "2023-09-23" @default.
- W3170473614 title "Theories of Professional Identity: Bringing Cultural Policy in Perspective" @default.
- W3170473614 doi "https://doi.org/10.4324/9781315575346-5" @default.
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