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- W3179551455 abstract "The work thorougly examinates Hegel's reception by Jose Ortega y exhaustively studying not only Ortega's texts on Hegel and the whole of Ortega's published works, but also unpublished manuscripts and work notes written by Ortega about Hegel's philosophy. Both these studies and, moreover, research in Ortega's personal library located in the Fundacion Jose Ortega y Gasset, brings about a number of conclusions regarding the philosophical relationship between Ortega and Hegel. In particular, it is shown how Hegel is creatively assimilated by Ortega to attain definite philosophical goals as to affect Ortega's thought as a whole. The work is divided in four parts throughout Ortega's work, from the first writings at the beginning of the century until his last ones in the fifties. There is also a central conceptual guide in the work: the category of limitation. Integrating Hegel's reception by Ortega with the analysis of the concepts of limit and limitation in Ortega's philosophy, a particular aesthetics of limitation is configured. The aesthetics of limitation shows itself as a dialectic of superation of limitations, a superation which becomes a political aesthetics. The issue is showing art as a constant superation of limitations, a superation which dialectically assumes such limitations. Ortega applies this dialectical scheme to politics, be it in the form of landscape, or in the form of a nation's project, or as the european problematic: policy is allways defined by Ortega as the integration of realities and ideals, as the integration of limitations and the superation of limitations." @default.
- W3179551455 created "2021-07-19" @default.
- W3179551455 creator A5065994418 @default.
- W3179551455 date "2000-06-15" @default.
- W3179551455 modified "2023-10-03" @default.
- W3179551455 title "Estética de la limitación" @default.
- W3179551455 hasPublicationYear "2000" @default.
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