FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W3182554745> ?p ?o ?g. }

• W3182554745 abstract "In this essay I will be focusing on William Faulkner’s The Sound and the Fury Jason Compson’s narrative section. Contained in his narration is a violent linguistic system that commodifies women, primarily his sister Caddy Compson and his niece Quentin Compson. His exploitation and monetization of these two women turns them into a currency so they can be bartered. Jason’s patriarchal-phallocentric economy is driven by his need to acquire and hoard money. In the process, the women in Jason’s life become a means for an economic gain. This essay analyzes how Jason exploits Caddy’s desire to mother her daughter even when she’s denied access to her daughter and how Miss Quentin avoids being explicated in her uncle’s exploitive economy. Caddy’s motherhood, sexuality and economic status grant her the ability to freely maneuver through and within Faulkner’s text and Jason’s violent and manipulative tendencies. Miss Quentin is not granted the same freedoms as her mother. Miss Quentin’s stakes in Jason’s economy are much different than Caddy’s, in that she has less to lose because she has already lost her mother and her father has never been present in her life. Miss Quentin rejects her uncle because there is very little left that he can take from her. Caddy’s maneuvering isn’t always successful, but her ability is a hopeful approach to exploring spaces controlled by male speech and perspective. The fabric of Faulkner’s text unravels when Miss Quentin escapes Jason’s “economic game” in her rejection of familiar and familial ties to the Compson family. She avoids ever exchanging with her uncle. When readers and scholars focus on Caddy’s adherence to Jason’s rule of paying to see her daughter, one question lingers: what “moves” does Miss Quentin perform to destabilize Jason’s patriarchal-phallocentric economy that extend to how Caddy performs within her brother’s authoritarian economy? This pursuit of centering Caddy and Miss Quentin’s narratives is achieved through a close examination of how Faulkner’s male-centered narrative works to marginalize his female characters, while close attention to Caddy and Miss Quentin de-centers the male perspective, making the reader inclined to see the two women as subjects who are present in the novel and have a language worth hearing. AND This essay will explore in William Faulkner’s short story “A Rose for Emily” the difficultly of considering personal and communal loss beyond symbolic representation. Through patriarchal-phallocentric language Miss Emily is propagated to the status of monument so far as she becomes a contact point for the men of the Southern town of Jefferson to access their past traditions of chivalry, gender, and class. An analysis of Emily Grierson is pivotal for critiquing the story’s mistreatment of her life and her losses. This paper proposes the difficulties of accessing sites of loss and trauma in the life of Miss Emily. This ultimately reveals the traditional gender and class structures that attempt stability through the language of a communal male narrator. How is Faulkner then making Miss Emily represent the loss and struggles of Southern town of Jefferson while simultaneously producing her own conflict with the loss of her father Mr. Grierson and the desertion of her lover Homer Barron? The reader cannot be tricked in feeling remorse for Mr. Grierson’s death because it’s not her father Miss Emily mourns, but the loss of a chance to marry that he prevented her from obtaining. Mr. Grierson is the suppressor of his daughter’s life and he becomes the site for her “working through” loss and trauma. This essay is organized into two parts: first, a close analysis of scenes in “A Rose for Emily” that call for close attention and scrutiny of the male-controlled depictions of Miss Emily as representing the losses endured by the South. Her symbolic status is problematized by her proximity to the story’s investment in desire and time. The second part of this essay, through psychoanalytic and feminist scholarship, attempts to undo the patriarchal-phallocentric structural tendencies of Faulkner’s narrative. These approaches and the scholars doing this work help consider the lacks in “A Rose for Emily” where Faulkner’s treatment of personal experiences does not consider Miss Emily’s unique struggle with loss and trauma as essential to the fabric of a Southern society grappling with loss on a personal and communal scale." @default.
• W3182554745 created "2021-07-19" @default.
• W3182554745 creator A5021211325 @default.
• W3182554745 date "2019-01-01" @default.
• W3182554745 modified "2023-09-27" @default.
• W3182554745 title "The language of an exploitive economy: centering women’s narratives in William Faulkner’s The sound and the fury AND Language and loss: modernity’s reckoning with failure in William Faulkner’s “A rose for Emily”" @default.
• W3182554745 cites W271038941 @default.
• W3182554745 cites W636676948 @default.
• W3182554745 hasPublicationYear "2019" @default.
• W3182554745 type Work @default.
• W3182554745 sameAs 3182554745 @default.
• W3182554745 citedByCount "0" @default.
• W3182554745 crossrefType "journal-article" @default.
• W3182554745 hasAuthorship W3182554745A5021211325 @default.
• W3182554745 hasConcept C124952713 @default.
• W3182554745 hasConcept C127896553 @default.
• W3182554745 hasConcept C142362112 @default.
• W3182554745 hasConcept C144024400 @default.
• W3182554745 hasConcept C17744445 @default.
• W3182554745 hasConcept C199033989 @default.
• W3182554745 hasConcept C199539241 @default.
• W3182554745 hasConcept C21240300 @default.
• W3182554745 hasConcept C2777106239 @default.
• W3182554745 hasConcept C95457728 @default.
• W3182554745 hasConceptScore W3182554745C124952713 @default.
• W3182554745 hasConceptScore W3182554745C127896553 @default.
• W3182554745 hasConceptScore W3182554745C142362112 @default.
• W3182554745 hasConceptScore W3182554745C144024400 @default.
• W3182554745 hasConceptScore W3182554745C17744445 @default.
• W3182554745 hasConceptScore W3182554745C199033989 @default.
• W3182554745 hasConceptScore W3182554745C199539241 @default.
• W3182554745 hasConceptScore W3182554745C21240300 @default.
• W3182554745 hasConceptScore W3182554745C2777106239 @default.
• W3182554745 hasConceptScore W3182554745C95457728 @default.
• W3182554745 hasLocation W31825547451 @default.
• W3182554745 hasOpenAccess W3182554745 @default.
• W3182554745 hasPrimaryLocation W31825547451 @default.
• W3182554745 hasRelatedWork W1490227897 @default.
• W3182554745 hasRelatedWork W1506334600 @default.
• W3182554745 hasRelatedWork W1579668498 @default.
• W3182554745 hasRelatedWork W1592227693 @default.
• W3182554745 hasRelatedWork W1774316174 @default.
• W3182554745 hasRelatedWork W1994728062 @default.
• W3182554745 hasRelatedWork W1998252725 @default.
• W3182554745 hasRelatedWork W2077352302 @default.
• W3182554745 hasRelatedWork W2089294731 @default.
• W3182554745 hasRelatedWork W2153107866 @default.
• W3182554745 hasRelatedWork W2281790274 @default.
• W3182554745 hasRelatedWork W2462102337 @default.
• W3182554745 hasRelatedWork W2495621200 @default.
• W3182554745 hasRelatedWork W2581516379 @default.
• W3182554745 hasRelatedWork W263490259 @default.
• W3182554745 hasRelatedWork W264631296 @default.
• W3182554745 hasRelatedWork W343143741 @default.
• W3182554745 hasRelatedWork W348553368 @default.
• W3182554745 hasRelatedWork W9832298 @default.
• W3182554745 hasRelatedWork W1523266093 @default.
• W3182554745 isParatext "false" @default.
• W3182554745 isRetracted "false" @default.
• W3182554745 magId "3182554745" @default.
• W3182554745 workType "article" @default.