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- W3191210185 abstract "The purpose of this study is to illuminate one of the unexplored origins of Nabokov’s theatrical elements constructing his artistic world by focusing on a recurrent but relatively inconspicuous motif, the oranges in his novels.<BR> Many of the oranges operating as a so-called ‘orange motif’ in Nabokov’s works are originated from the Russian Silver Age culture, in particular, from V. E. Meyerhold’s oranges which had appeared in three modes(performance, journal, and divertissement) in the mid-1910s.<BR> We trace the parallel evolution of Nabokov’s sui generis narrative strategies and the orange motives to shed light on the multifarious aspects of theatricality and the utilization of those motives in various layers of narrative structure in his Russian-period novels, Mary, King, Queen, Knave, The Defense, Laughter in the Dark, and The Gift.<BR> Through this study, we can observe not only the gradual evolvement of oranges from the subtle markers implying the origin of theatricality in his novels to the crucial motif involved in constructing the main syuzhet of the entire novel, but its rather radical transformation into the motif of a fundamental artistic principle in The Gift. As for the transformation of the orange motif in The Gift, we try to demonstrate it by analyzing Fyodor’s own somewhat declaratory phrase(“but the kind of dust that makes the most orange of sunsets”) about his projected autobiographical work in the last episode of the novel, and by linking it with the orange charade at the beginning of the novel." @default.
- W3191210185 created "2021-08-16" @default.
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- W3191210185 date "2021-06-30" @default.
- W3191210185 modified "2023-10-18" @default.
- W3191210185 title "The Oranges in Nabokov′s Russian Novels" @default.
- W3191210185 doi "https://doi.org/10.46694/jss.2021.06.36.2.83" @default.
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