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- W3198383389 abstract "The history of Singapore's film industry is generally constituted by two distinct periods. The first is its golden age in the 1950s and 1960s, which saw the prolific outpouring of primarily Malay films. The second is its so-called rebirth in the 1990s, when film production was revived after petering out in the 1970s and ceasing to exist altogether in the 1980s. Indeed, the view of Singapore in films from the revival offer a different perspective and this chapter looks specifically at the choice of location or setting in two of these films: Kelvin Tong and Jasmine Ng's Eating Air and Royston Tan's 15. It argues that the heartland and other spaces in these films function as more than the setting for the narrative. 12 Storeys is perhaps the first film to have emphasized the heartland. This space has since been used in most Singapore films to locate narratives and identify characters as average or typical Singaporeans." @default.
- W3198383389 created "2021-09-13" @default.
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- W3198383389 date "2015-04-24" @default.
- W3198383389 modified "2023-09-23" @default.
- W3198383389 title "Chiang Mai and the Cinematic Spaces of Thai Identity" @default.
- W3198383389 doi "https://doi.org/10.4324/9781315885575-13" @default.
- W3198383389 hasPublicationYear "2015" @default.
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