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- W3199251352 abstract "Discussing about traditional communication, it is commonly connected to the tradition concept, which contains ameaning that the concept is a kind of the past finding, but it is commonly reputed as a normative thing by eachpart of the society. Based on the explanation, it can be concluded that the definition of traditional communicationis commonly connected to the folk art performance as a traditional media that is owned by a certain society, asthe result it can be identified and understood that a folk art performance is owned by that society and exist as alocal wisdom for the society.Therefore, it can be cleared that discussing about traditional communication is cannot be separated with thetraditional folk art performance as a media, a kind of art that is based on the folk story by using media thatappears and develops in a certain society. The effort of source finding of this folk story is not only purposed to beperformed in the form of art performance, but also it is further expected to carry out messages from the story.Therefore, in the review of traditional communication it is emphasized to the way of carrying the messages thatare contained in an art performance as a media. Therefore, this review is not discussed about the art performancefurtherly. It means that the performance can use a great and luxurious background, but also can be in a simpleform.South Sulawesi as a former government of the Indonesian Archipelago (the government of Gowa-Tallo and othergovernments that had been exist in Indonesia) has various kinds of art performance of the traditional mediawhich are still heired for generations, where the function of traditional media is not only as an entertaining publicshow, but also may be a guidance because of the role of art performance which is full of messages and senses. Therefore, people who will have an art performance are commonly have to prepare their physic, mental, andpsychology, moreover in fact that they will face most of audiences and have an all night (Note 2) performance.So that, in the South Sulawasi, may be in other places, before playing the role as a persistent player in an artperformance, the players are commonly practice hard their skill and ability. This ability is usually completed by amysthical thinking through the magic words or Parimbolo (Bugis’ language). In order to learn the magic words, the players commonly meet the elders, but the magic words are not directly given, but rather have to pass somerituals within certain rules such as white cloth, a cock, or by preparing black sticky rice and black cock (AjeipPadindang in Monoharto," @default.
- W3199251352 created "2021-09-27" @default.
- W3199251352 creator A5083372646 @default.
- W3199251352 date "2017-07-09" @default.
- W3199251352 modified "2023-09-24" @default.
- W3199251352 title "A Traditional Communication of Bugis (Note 1) in the South Sulawesi of Indonesia through the Art Performance of Kecapi" @default.
- W3199251352 hasPublicationYear "2017" @default.
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