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- W3199343373 abstract "Decapitated heads, dismembered hands, severed legs, detached noses, castrated tongues, false eyes, and even a cleaved heart are listed as stage directions in early modern plays. Scholarship has largely focused on how the fragmented body is reducible to a moveable physical object, exploring the relationship between part and whole, self and Other, and subject and object, but has yet to explore the materiality of the disarticulated prop itself. This chapter traces the materiality of these dismembered body parts in humoral terms, first outlining how severed body parts were constructed, and then considering their humoral agency on stage. The materials used to stage dismemberment—wax, straw, wood, and paint—were imbued with humoral attributes that had an impact on the body of the actor in the theater." @default.
- W3199343373 created "2021-09-27" @default.
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- W3199343373 date "2021-01-01" @default.
- W3199343373 modified "2023-09-26" @default.
- W3199343373 title "A “Dummy Corpse Full of Bones and Entrails”: Staging Dismemberment in the Early Modern Playhouse" @default.
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- W3199343373 doi "https://doi.org/10.1007/978-3-030-77618-3_6" @default.
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