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- W3200491335 abstract "Bishop William Giles (1830–1913) left England in 1852 to train for the Roman Catholic priesthood in Rome, which was to become his permanent home first as student, and later as Vice-Rector then Rector of the Venerable English College. A painter and photographer, Giles’ preoccupation with the physical manifestation of the spirituality emanating from the landscape is the focus of this essay, in which both classical and Christian layerings contribute to a ‘sacred pastoral’ reading of his work. If a superficial evaluation of Giles’ work pigeon-holes him as a topographical artist, this essay argues that deeper examination of his chosen subject matter and the visual anchoring of place to the saints and their stories reveals the tracing of a spiritual exercise. Further, the connection of pilgrimage to the sequencing of photographs, as well as his handing down of these journeys and associations to those whose priestly formation he supervised, solicits the continuous reflexivity of such spiritual engagement with/through visual media." @default.
- W3200491335 created "2021-09-27" @default.
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- W3200491335 date "2021-07-06" @default.
- W3200491335 modified "2023-09-27" @default.
- W3200491335 title "The ‘sacred pastoral’ as the manifestation of spirituality in the work of Bishop William Giles" @default.
- W3200491335 doi "https://doi.org/10.4324/9781003008965-11" @default.
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