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- W3201472575 abstract "Adaptation, to revisit a truism, is concerned with transforming the extant or old into something partially new. Adaptation studies has its own internal version of this process, as do all scholarly fields. Long-held assumptions, central concepts, modes, methods, and methodologies are all reinterpreted and rewritten in an ongoing critical self-adaptation. Ken Gelder’s new book, Adapting Bestsellers: Fantasy, Franchise and the Afterlife of Storyworlds, participates in this same tradition of repetition and difference. At first glance, the content suggests traditional, even conservative, approaches to the study of adaptation. We have a series of case studies, all ostensibly taken from the well-worn word-to-image adaptive trajectory and including an extremely famous, arguably canonical, ‘classic’ from the English literary tradition. With such structural recurrences it would be easy to assume that this study treads old ground, perhaps tracing proximities within book/screen dyads of adaptation. This is not the case. What we get is a lively proliferation of difference between the supporting frameworks of familiarity, an adaptation of these scholarly tropes which underlines their continued relevance as part of the broader conversation around adaptation, transmedia storytelling, and franchising." @default.
- W3201472575 created "2021-09-27" @default.
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- W3201472575 date "2021-09-21" @default.
- W3201472575 modified "2023-09-25" @default.
- W3201472575 title "Adapting Bestsellers: Fantasy, Franchise and the Afterlife of Storyworlds" @default.
- W3201472575 doi "https://doi.org/10.1093/adaptation/apab016" @default.
- W3201472575 hasPublicationYear "2021" @default.
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