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- W3201907266 abstract "This article examines how time and space-time relate to eco-critical films and their charge of intervening in issues dealing with environmentalism. From the earliest films the question of capturing the truth gave impetus to the desire to represent reality accurately, including its social and political ‘truths’. Increasing concerns over the environment have come to mean that filmmakers have also felt the necessity to present eco-critical dramas. The drama has been how to create environmentally significant films without condescending to the viewers. The key question Rob Nixon poses in Slow Violence and the Environmentalism of the Poor might be how the social-economic order, over time, informs the health of the environment and the conditions of life for the working class. Two short films and the Green Belt Movement extend that question: Pumzi asks how a future marked by nuclear disaster might be survived by the sacrifice of an exceptional woman; Felix in Exile asks how the brutal practices of Apartheid might be survived. In both cases the questions of space and time prove to be basic, opening the possibility of joining the concept of space-time to eco-critical thought." @default.
- W3201907266 created "2021-10-11" @default.
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- W3201907266 date "2020-12-01" @default.
- W3201907266 modified "2023-09-23" @default.
- W3201907266 title "Time and ecology in African cinema: <i>Pumzi</i> and <i>Felix in Exile</i>" @default.
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- W3201907266 doi "https://doi.org/10.1386/ijfs_00023_7" @default.
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