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- W3202903312 abstract "Cervantes’s obsession with freedom and captivity evokes his long incarceration in Algiers (1575–80). In effect, his capture by Barbary corsairs in 1575 and the five years he spent in Algiers left an indelible impression on his fiction. From the first works written after his liberation, such as his play <italic>El trato de Argel</italic> (<italic>c</italic>. 1581–3) and his novel <italic>La Galatea</italic> (1585), to his posthumous book <italic>Los trabajos de Persiles y Sigismunda</italic> (1617), the story of this traumatic experience continuously resonates throughout his work. The motif of captivity characterizes Cervantes’s autobiographical narrative, <italic>La historia del cautivo</italic>, interpolated in <italic>Don Quixote</italic> I.39–41, as well as two of his novellas. Concurrently, his Barbary plays turn around the theme of captivity suffered by Christians in Ottoman territories during the early modern period." @default.
- W3202903312 created "2021-10-11" @default.
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- W3202903312 date "2021-02-10" @default.
- W3202903312 modified "2023-10-16" @default.
- W3202903312 title "Captivity in Cervantes" @default.
- W3202903312 doi "https://doi.org/10.1093/oxfordhb/9780198742913.013.5" @default.
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