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- W3204194204 abstract "This chapter explores intermediality in early moving images. It traces manifestations of the cinematic prior to the invention of the cinematograph. It argues that, from Carlo Ponti's Megaletoscopio (1862), inspired by Daguerre’s dioramas, to stroboscopic projections and the early animations of Émile Reynaud, cinema came about in-between technologies, in-between different viewing experiences and viewing spaces, and in-between media." @default.
- W3204194204 created "2021-10-11" @default.
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- W3204194204 date "2021-02-16" @default.
- W3204194204 modified "2023-10-16" @default.
- W3204194204 title "Intermediality and the Origins of Cinema" @default.
- W3204194204 doi "https://doi.org/10.3366/edinburgh/9781474446341.003.0009" @default.
- W3204194204 hasPublicationYear "2021" @default.
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