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- W3204251362 abstract "This chapter takes as its starting point the fact that Hawthorne’s novel, <italic>The Marble Faun; or The Romance of Monte Beni</italic>, was also published under the title <italic>Transformation</italic> (1860), thus suggesting a tension between animation and stasis that is implicitly explored in the text. It examines the connections between Hawthorne’s work and Henry James’s early novel <italic>Roderick Hudson</italic> (1875). Drawing on both writers’ relationships with circles of sculptors, artists, and writers in Rome, this chapter considers the mediation of desire between protagonists in <italic>The Marble Faun</italic> and <italic>Roderick Hudson</italic> through key sculptural figures and metaphors of touch that contribute to the recognition, and eventual burial, of unruly desires." @default.
- W3204251362 created "2021-10-11" @default.
- W3204251362 creator A5076752315 @default.
- W3204251362 date "2020-09-01" @default.
- W3204251362 modified "2023-09-24" @default.
- W3204251362 title "‘Of marble men and maidens’: Sculptural Transformations" @default.
- W3204251362 doi "https://doi.org/10.3366/edinburgh/9780748693429.003.0003" @default.
- W3204251362 hasPublicationYear "2020" @default.
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