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- W3204270167 abstract "This chapter addresses the prevalence of the Pygmalion myth in Victorian fiction, considering works that have received comparatively little critical attention: George MacDonald’s <italic>Phantastes</italic> (1858), William Morris’s ‘Pygmalion and the Image’ from <italic>The Earthly Paradise</italic> (1868-1870), and Thomas Woolner’s <italic>Pygmalion</italic> (1881). Opening with a discussion of Ovid’s Pygmalion and its influence on Romantic and late-Romantic writing, this chapter focuses on the ways in which the aesthetic and sexual concerns it raises inform and complicate negotiations of heterosexual desire and the ‘purity’ of the artist in the Victorian texts discussed. Demonstrating the slippage between living and sculpted women in such expressions of eroticism, this chapter explores the tensions between touch, animation and stasis that are at the heart of the book." @default.
- W3204270167 created "2021-10-11" @default.
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- W3204270167 date "2020-09-01" @default.
- W3204270167 modified "2023-09-27" @default.
- W3204270167 title "Nineteenth-Century Pygmalions: The Sexual Politics of Tactility" @default.
- W3204270167 doi "https://doi.org/10.3366/edinburgh/9780748693429.003.0001" @default.
- W3204270167 hasPublicationYear "2020" @default.
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