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- W3204358439 abstract "In 2014, the University of the Philippines Center for Ethnomusicology (UPCE) began a music repatriation program with the aim of reintroducing recordings from its archives back to the communities where they were collected from. With the goal of enabling communities to reconnect with voices, sounds and memories, repatriation would at the same time allow present-day researchers to collect new data. Digital copies of around 40 tracks recorded by Lester Brooks in 1954 and Jose Maceda in 1960 were returned to the municipality of Sagada in Northern Philippines, and distributed among various sectors, including local government offices, schools and community leaders. This chapter contemplates repatriation as experienced by an institution as it endeavors a redirection of its mandate from the collection and protection of artifacts towards a model of cultural conservation that seeks and promotes the active involvement of source communities. It is in this spirit that the succeeding discussion presents the voices from the institution (de la Pena) and from the community (Bagano)." @default.
- W3204358439 created "2021-10-11" @default.
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- W3204358439 date "2021-01-01" @default.
- W3204358439 modified "2023-09-24" @default.
- W3204358439 title "Re-sonating Voices, Sounds, and Memories: The Repatriation of 60-Year-Old Field Recordings from Sagada, Mountain Province in Northern Philippines" @default.
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- W3204358439 doi "https://doi.org/10.1007/978-981-16-4473-3_5" @default.
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