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- W3204670631 abstract "This chapter conceptualises the vectors of the pulse as the quantities of magnitude and direction that communicate. The vector discloses the difficulty in isolating the place of the pulse, which in turn suggests the ‘putting at stake’ of self as a sovereign operation experienced in Georges Bataille’s general economy. This chapter analyses the vector in relation to the form of spectatorship that Andrzej Żuławski’s 1981 film <italic>Possession</italic> gives rise to. The film is remarkable for the way it relates the magnitude and directional flow of blood to a frenzy of the body in a kind of convulsive affect. Blood points to the sacrificial expenditure, or dispossession, of the self, which nevertheless produces an intimate communication or communion between characters, film, and spectator." @default.
- W3204670631 created "2021-10-11" @default.
- W3204670631 creator A5026026880 @default.
- W3204670631 date "2020-12-15" @default.
- W3204670631 modified "2023-09-25" @default.
- W3204670631 title "Blood and Convulsive Affect: Vectors of the Pulse as Sovereign Operations" @default.
- W3204670631 doi "https://doi.org/10.3366/edinburgh/9781474475846.003.0006" @default.
- W3204670631 hasPublicationYear "2020" @default.
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