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- W3204998538 abstract "This chapter explores ‘essence’ and ‘originality’ in screenwriting adaptation practice. It investigates the ‘translation’ of a source text into a new form and argues for creativity and risk-taking in order to produce original work. Case studies examine decisions made by screenwriters to move away from a source text and make the story their own. Greta Gerwig’s reframing of Little Women (2019, motion picture, Sony Pictures Releasing, United States) meant changing the structure and the ending. Kelly Reichardt adapted three unconnected short stories into Certain Women (2016, motion picture, IFC Films, United States). Rainer Werner Fassbinder radically transformed Douglas Sirk’s Hollywood melodrama All That Heaven Allows (1955, motion picture, Universal Pictures, United States) into Fear Eats the Soul (1974, motion picture, Filmverlag der Autoren GmbH & Co. Vertriebs KG, West Germany), and Todd Haynes was inspired by both films to create Far from Heaven (Haynes, 2002, motion picture, Focus Features, United States), which referenced both films and paid homage to Sirk and Fassbinder." @default.
- W3204998538 created "2021-10-25" @default.
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- W3204998538 date "2021-01-01" @default.
- W3204998538 modified "2023-10-16" @default.
- W3204998538 title "Adaptation: Essence, Originality and Radical Transformation" @default.
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- W3204998538 doi "https://doi.org/10.1007/978-3-030-73674-3_6" @default.
- W3204998538 hasPublicationYear "2021" @default.
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