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- W3206309543 abstract "The chapter discusses the manner in which Washington Irving’s “Legend of the Sleepy Hollow” and its film adaptation directed by Gang (1999) present a ludic response to the crisis caused by the appearance and expansionist nature of print culture in the “magical world of the ear” of the Sleepy Hollow. The famous Headless Horseman seems to represent an impenetrable barrier to the teacher, Ichabod Crane, who is deeply influenced by print-culture. However, his ultimate failure stems from the lack of acceptance by the local community. Its leading representative, Brom “Bones” Van Brunt, actively opposes his rival’s attempts to gain quick social promotion through the marriage with Katrina Van Tassel. As an illiterate man belonging to a pre-typographic culture, he firmly rejects the ambitions of Ichabod who constantly boasts about his education, and through play contributes to the defeat of the highly literate rival. In the analysis, special attention is paid to the creative way in which the film adaptation extends the plot of Irving’s story and allows for the interpretation of both texts in terms of theories referring to Marshall McLuhan's thoughts." @default.
- W3206309543 created "2021-10-25" @default.
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- W3206309543 date "2021-01-01" @default.
- W3206309543 modified "2023-09-23" @default.
- W3206309543 title "Pragmatic Play in Response to the Crisis in the “Magical World of the Ear” in Washington Irving’s “The Legend of Sleepy Hollow” and Its 1999 Film Adaptation" @default.
- W3206309543 cites W2532348707 @default.
- W3206309543 doi "https://doi.org/10.1007/978-3-030-86724-9_2" @default.
- W3206309543 hasPublicationYear "2021" @default.
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