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- W3207639173 abstract "Abstract Many of the musicals Miranda and the Hamilton creative team suggest influenced the development of their musical (including Jesus Christ Superstar, Evita, and Les Misérables) stem from the United Kingdom and British (or European) creative teams. As a hybrid of European theatrical traditions that was first staged (or at least popularized) in Britain, the megamusical—along with Shakespeare’s plays—is one of Britain’s most recognizable theatrical exports. How American is Miranda’s musical, therefore, if it so frequently returns to megamusicals for structural and stylistic guidance? There is much about Hamilton that is American, yet its referencing of British musicals complicates the labeling of this show as an exclusively American musical. This chapter argues that Hamilton occupies a liminal space in that it is a hybrid of transatlantic traditions. Despite the referencing of British musicals seeming to complicate the show’s Americanness, Hamilton asserts its national identity through an amalgam of transatlantic influences and intertextual associations." @default.
- W3207639173 created "2021-10-25" @default.
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- W3207639173 date "2021-06-24" @default.
- W3207639173 modified "2023-09-23" @default.
- W3207639173 title "<i>Hamilton—An American Musical</i>" @default.
- W3207639173 doi "https://doi.org/10.1093/oso/9780190938840.003.0015" @default.
- W3207639173 hasPublicationYear "2021" @default.
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