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• W3207846598 abstract "No AccessThe Motif of the Hidden Child in Goran Paskaljević’s Film Kad svane dan and Filip David’s Novel Kuća sećanja i zaboravaEva KowollikEva KowollikEva Kowollik is a researcher (post doc) at the Department of Slavonic Studies at the University of Halle-Wittenberg. She completed her doctoral thesis on metahistoriographic novels in contemporary Serbian literature, published in 2013 (Geschichte und Narration. Fiktionalisierungsstrategien bei Radoslav Petković, David Albahari und Dragan Velikić). She is co-editor of the volumes: Schwimmen gegen den Strom? Diskurse weiblicher Autorschaft im postjugoslawischen Kontext (2018, with Angela Richter and Tijana Matijević) and Trauma – Generationen – Erzählen. Transgene­rationale Narrative zum ost-, ostmittel- und südosteuropäischen Raum (2020, with Yvonne Drosihn and Ingeborg Jandl). Her research interests include trauma and memory in South Slavic literature and children and youth literature. Search for more papers by this authorhttps://doi.org/10.7767/9783205212904.251SectionsPDF/EPUB ToolsAdd to favoritesDownload CitationsTrack Citations ShareShare onFacebookTwitterLinkedInRedditEmail AboutAbstract: This contribution is dedicated to Filip David’s novel The House of Remembering and Forgetting and Goran Paskaljević’s film When Day Breaks. Both the film and the novel thematize Jewish identity in relation to the trauma of the Shoah in a Serbian context drawing on the motif of the hidden child. The specific strategies used in the film and the novel include the use of fantastic elements and a highly reflexive level in David’s novel and, on the other hand, the contextualization of the motif by socially controversial questions (e.g., the stigmatizing of Roma in present-day Serbia) in the film. References Bachmann, Michael. Der abwesende Zeuge. Autorisierungsstrategien in Darstellungen der Shoah. Tübingen: Narr, 2010. Google ScholarChristoph, Wenke, Tamara Baković Jadžić and Vladan Jeremić (Eds.). Not Safe at All. The Safe Country of Origin Legislation and the Consequences for Roma Migrants. Belgrade: Rosa Luxemburg Stiftung Southeast Europe, 2016. Google ScholarĆirić, Saša. “Šta će biti s kućom? Filip David: Kuća sećanja i zaborava (Laguna, 2014).” Beton 155. 21 Jan. 2015. Google ScholarDavid, Filip. “Pod sretnom zvezdom.” Živi i mrtvi. Razgovori sa Jevrejima. Ed. Jaša Almuli. 2nd ed. Beograd: S. Mašić, 2002: 133-145. Google Scholar David, Filip. Svetovi u haosu. Beograd: Forum pisaca, 2004. Google Scholar David, Filip. Princ vatre. Sabrane i nove priče. Zagreb: Fraktura, 2013. Google Scholar David, Filip. Kuća sećanja i zaborava. 3rd ed. Beograd: Laguna, 2016 [2014]. Google Scholar David, Filip. The House of Remembering and Forgetting. London: Peter Owen, Istros Books, 2017. Google ScholarDoppelbauer, Max. “Selbsthass – eine jüdische Begriffsgeschichte”. Europa ethnica 68.3-4 (2011): 106-114. Crossref, Google ScholarDragićević Šešić, Milena and Ljiljana Rogač Mijatović. “Od spornog prošlosti do zanemarene sadašnjosti: kulturna politika sećanja beogradskog Starog sajmišta.” Protiv zaborava. Wallpaper. Beograd: Centar za kulturnu dekontaminaciju, 2015. http://www.protivzaborava.com/wallpaper/od-sporne-proslosti-do-zanemarene-sadasnjosti-kulturna-politika-secanja-beogradskog-starog-sajmista/. Accessed 23 Aug. 2019. Google Scholar Giergiel, Sabina and Katarzyna Taczyńska. “‘When Night Passes’ and ‘When Day Breaks’ – Between the Past and the Present. Borderlines of Holocaust in Filip David’s Works.” Colloquia Humanistica 6 (2017): 75-96. Crossref, Google ScholarHansen-Kokoruš, Renate. “Zur Frage jüdischer Identität in der jüngeren serbischen Literatur. Filip Davids ‘Hodočasnici neba i zemlje’.” Die Welt der Slaven XLVIII (2003): 239-250. Google ScholarHirsch, Marianne. Family Frames. Photography, Narrative and Postmemory. Cambridge, London: Harvard University Press, 1997. Google Scholar Kad svane dan [When Day Breaks]. Dir. Goran Paskaljević. Perf. Mustafa Nadarević. Mica Films, 2012. Google ScholarKovač, Mirko and Filip David. Knjiga pisama 1992.-1995. Zagreb: Fraktura, 2008. Google ScholarLachmann, Renate. Erzählte Phantastik. Zur Phantasiegeschichte und Semantik phantasti­scher Texte. Frankfurt/Main: Suhrkamp, 2002. Google ScholarLeder, Sebastian. Morbus iudaicus. Zum Meta-Theorem des „jüdischens Selbsthasses“ der Spätmoderne [Dissertation an der Fakultät I der Technischen Universität Berlin]. Berlin: Zentrum für Antisemitismusforschung, 2011. Google ScholarLezzi, Eva. Zerstörte Kindheit. Literarische Autobiographie zur Shoah. Köln, Weimar, Wien: Böhlau, 2001. Google ScholarManojlović Pintar, Olga and Aleksandar Ignjatović. “Prostori selektovanih memorija: Staro sajmište u Beogradu i sećanje na Drugi svetski rat.” Kultura sjećanja: 1941. Povijesni lomovi i suvladavanje prošlosti. Eds. Sulejman Boško, Tihomir Cipek and Olivera Milosavljević. Zagreb: Disput, 2008: 95-111. Google ScholarMarks, Jane. The Hidden Children. The Secret Survivors of the Holocaust. New York: Fawcett Columbine, 1993. Google ScholarNikolić, Mirjana and Aleksandra Milanović. “Na margini kolektivnog sećanja. Spomen-kompleks Staro sajmište.” Graničnici sećanja. Jevrejsko nasleđe i Holokaust. Eds. Nevena Daković and Vera Mevorah. Beograd: Jevrejski istorijski muzej Saveza jevrejskih opština Srbije, 2018: 35-50. Google ScholarSchmitz-Emans, Monika. “Phantastische Literatur: ein denkwürdiger Problemfall.” Neohelikon XXII.2 (1995), 53-116. Crossref, Google ScholarTišma, Aleksandar. Kapo. Beograd: Nolit, 1987. Google ScholarTodorović, Gordana. “‘San o ljubavi i smrti’ Filipa Davida ili potraga za istinom (rekonstrukcija postupka).” Istina, mistifikacija, l’ža v slavjanskite ezici, literaturi i kulturi. Eds. N. Ivanova and E. Daradanova. Sofija: Sofijski univerzitet Sv. Kliment Ohridski, 2011: 443-448. 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Crossref, Google Scholar Previous chapter Next chapter FiguresReferencesRelatedDetails Download book coverSchriften des Centrums für Jüdische StudienVolume 37 1st editionISBN: 978-3-205-21288-1 eISBN: 978-3-205-21290-4HistoryPublished online:October 2021 PDF download" @default.
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