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- W3208018613 abstract "This chapter examines the re-performance works of Ron Athey with Julie Tolentino, and Sheree Rose with Martin O’Brien and Bob Flanagan. These are considered as adaptations of the initial performance and analysed in terms of what they can teach us about the fragile nature of bodies and the concept of finitude. They are also positioned in dialogue with Julia Kristeva’s concept of abjection and Freud’s theory of melancholia. Additionally, this chapter will analyse solo works by artists Martin O’Brien and Ron Athey, which investigate abjection through the artists’ use of bodily fluids. The chapter will form a link between these concepts by arguing that in illness and dying, as in re-performance, the body’s integrity cannot be guaranteed." @default.
- W3208018613 created "2021-11-08" @default.
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- W3208018613 date "2021-01-01" @default.
- W3208018613 modified "2023-10-16" @default.
- W3208018613 title "Abjection and Memorial: Death and Finitude" @default.
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- W3208018613 doi "https://doi.org/10.1007/978-3-030-84774-6_3" @default.
- W3208018613 hasPublicationYear "2021" @default.
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