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- W3211547336 abstract "In modern social theory, mass media have been seen as providing ideological support for the reproduction of class inequalities, and structures of exploitation and domination, in industrialized economies. Similarly, cultural anthropologists saw American stratification as contributing no less direct support of the status quo. However, selected Hollywood movies depict an actor-based and inclusive vision of American stratification. In close viewings of Pretty Woman (1990 Pretty Woman. 1990. Garry Marshall, dir.; starring Richard Gere, Julia Roberts and Jason Alexander. Hollywood: Touchstone Pictures; color, 119 mins. [Google Scholar]), Good Will Hunting (1997 Good Will Hunting. 1997. Gus Van Sant, dir.; starring Robin Williams, Matt Damon and Ben Affleck. Hollywood: Miramax; color, 126 mins. [Google Scholar]) and The Descendants (2011 The Descendants. 2011. Alexander Payne, dir.; starring George Clooney, Shailene Woodley, and Amara Miller. Hollywood: Fox Searchlight Pictures; color, 115 mins. [Google Scholar]), I adapt Northrop Frye’s “modes of fiction” framework (1957 Frye, Northrop. 1957. Anatomy of Criticism Four Essays. Princeton, NJ: Princeton University Press.[Crossref] , [Google Scholar]), which I couple with modern mass media theory and trace back to American exceptionalism, to argue that this vision promotes a comic vindication of class inequality in American society." @default.
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- W3211547336 date "2021-10-20" @default.
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- W3211547336 title "Comedy and Other Hollywood Tropes of American Social Stratification (1990–2011)" @default.
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- W3211547336 doi "https://doi.org/10.1080/08949468.2021.1984806" @default.
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