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- W3214733225 abstract "The Introduction juxtaposes the musicals of Tommy Tune during the 1980s with the large-scale British extravaganzas that dominated Broadway in the same decade. These imported “megamusicals,” featured lavish spectacle, special effects, cookie-cutter casting, and booming, pop-rock soundscapes. By contrast, Tune’s shows were simple, elegant, and filled with unique personalities (including Tune himself). The special effects in a Tommy Tune show were ingeniously staged singing and dancing. Tune coined the term “guzzintahs” to refer to the seamless melding of song, dance, and story, as in “this goes into that, and that goes into this.” The Introduction also offers a brief history of the director-choreographer, including George Balanchine, who integrated ballet into Broadway dance and Agnes de Mille, who established her choreographic authorship as of equal importance alongside a show’s book, score, and direction. The creative use of “guzzintahs” by later figures such as Jerome Robbins, Bob Fosse, Gower Champion, and Michael Bennett is explored, pointing the way toward Tune’s especially unified staging concepts." @default.
- W3214733225 created "2021-11-22" @default.
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- W3214733225 date "2021-11-18" @default.
- W3214733225 modified "2023-09-28" @default.
- W3214733225 title "Introduction" @default.
- W3214733225 doi "https://doi.org/10.1093/oso/9780190090739.003.0001" @default.
- W3214733225 hasPublicationYear "2021" @default.
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