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- W3217697508 abstract "Music composition – much like every construction of a work of art – can be understood as a sequence of decisions made by the composer or artist. The specific work thus embodies one out of many possible variations. Especially in sonic art and electroacoustic music, where spatial-audio playback systems have been employed since the early days of multi-channel sound reproduction, the distribution of auditory objects in space continues to be an important step in the creative process – as a matter of composition and in stark contrast to more popular musical genres that are produced in stereo, where the spatial distribution is considered a rather technical issue. The aim of the present work is to gain an understanding of the relevance of incorporating spatial configuration as an artistic device in music composition. A listening test was conducted to investigate the perception of certain spatial configurations of sonic elements dependent of spatial complexity and the sonic material." @default.
- W3217697508 created "2021-12-06" @default.
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- W3217697508 date "2021-09-08" @default.
- W3217697508 modified "2023-10-01" @default.
- W3217697508 title "Listening experiment on the perception of spatial sound configurations" @default.
- W3217697508 doi "https://doi.org/10.1109/i3da48870.2021.9610880" @default.
- W3217697508 hasPublicationYear "2021" @default.
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