Matches in SemOpenAlex for { <https://semopenalex.org/work/W330897355> ?p ?o ?g. }
Showing items 1 to 82 of
82
with 100 items per page.
- W330897355 startingPage "399" @default.
- W330897355 abstract "SONG IS POETIC THOUGHT ENCAPSULATED IN MUSIC. Poetry serves as a metaphor of the imagination, as music serves as a metaphor of its emotions. In the marriage of these two separate art forms, the composer births a new art form: song. A song is more than just poetry set to music; it is an identifier of any culture, acting as a guide, or even diary, that follows in the footsteps of its poets and composers. It seems to me that song, in almost any context, is a transcendent suspension of life's successive moments for the expanded reflection of a greater present. In performing and listening to song, we are led by artists' experiences, feelings, influences, and knowledge of life as they lived, or live it.WHY ART SONG?My commitment to art song goes beyond giving song recitals on stage, although performance is certainly the core of my devotion to song. My goal remains to tell a story that speaks across time, through a language, and out of a culture. believe in projects that take the art of song into a broader context and engage a wide community in its narrative. With this approach, each song becomes its own unique resume-a medium through which we can observe and relate to people of this or another place and time, a prism through which we can experience another world. There is no prima la musica or prima la lingua. In classic song, both poem and music are in a profound metaphoric dialogue, a conversation between equal partners. The specific use of that sung moment is then defined by its reflections, allowing Art to become the transformer-the active ingredient of expression-and not a belittling qualitative adjective.THE ROAD TO HAMPSONGSince the early days of my singing career, song has held an important place in my life; in fact, song is what drew me to singing in the first place. remember fondly the early days of learning to sing in Spokane, Washington, with my wonderful teacher Sister Marietta Coyle. Sister Marietta was a devoted student of Lotte Lehmann, Charles Panzera, and William Vennard, and her guidance led me to discover and revel in the magical world of poetry and music that was so new to me. Since then, the study and performance of song has cultivated my curiosity, expanded my knowledge and understanding of other cultures, both past and present, and deepened my artistry.In a professional world that seems focused on opera as the major thrust of a singing career, have always made song an equal focus of mine. It always made sense to me that having lived on the inside of the psyche through a song inevitably enhanced the understanding of the motivations of a character in the larger context of a theatrical work. In my opinion, the idea of professional training as an opera singer or a recitalist is unnecessarily limiting to the notion of what a singer is.I hope that my own career path, from my early days of community concerts, to the first programming of specific ideological recitals, to the overwhelming tutelage of Mahler songs with Leonard Bernstein-all the while maintaining an active operatic career-emboldens my younger colleagues to seek out wide horizons and pursue a variety of opportunities in singing.ESTABLISHING THE HAMPSONG FOUNDATIONIn 2003, began the Hampsong Foundation with a vision: To create a platform to support and proliferate the art of song from around the world as a means to enhance communication and understanding among cultures through their poetry and music.Through my experiences, came to realize the possibilities of classic song as a tool of communication and came to view song as a real identifier of an individual's cultural experience narrated in his or her humanities tradition. Leading up to my founding of Hampsong, had undertaken several extended song projects, and many in conjunction with the Salzburg Festival, such as:* I Hear America Singing, a survey of American ideals and texts which inspired both American and European composers through song. …" @default.
- W330897355 created "2016-06-24" @default.
- W330897355 creator A5008893076 @default.
- W330897355 date "2013-03-01" @default.
- W330897355 modified "2023-09-24" @default.
- W330897355 title "A World of Song: Introducing the Resources of the Hampsong Foundation" @default.
- W330897355 hasPublicationYear "2013" @default.
- W330897355 type Work @default.
- W330897355 sameAs 330897355 @default.
- W330897355 citedByCount "0" @default.
- W330897355 crossrefType "journal-article" @default.
- W330897355 hasAuthorship W330897355A5008893076 @default.
- W330897355 hasConcept C107038049 @default.
- W330897355 hasConcept C122980154 @default.
- W330897355 hasConcept C124952713 @default.
- W330897355 hasConcept C138885662 @default.
- W330897355 hasConcept C142362112 @default.
- W330897355 hasConcept C153349607 @default.
- W330897355 hasConcept C15744967 @default.
- W330897355 hasConcept C162324750 @default.
- W330897355 hasConcept C164913051 @default.
- W330897355 hasConcept C166957645 @default.
- W330897355 hasConcept C187736073 @default.
- W330897355 hasConcept C199033989 @default.
- W330897355 hasConcept C2777200299 @default.
- W330897355 hasConcept C2778311575 @default.
- W330897355 hasConcept C2779343474 @default.
- W330897355 hasConcept C41895202 @default.
- W330897355 hasConcept C44819458 @default.
- W330897355 hasConcept C46312422 @default.
- W330897355 hasConcept C77805123 @default.
- W330897355 hasConcept C95457728 @default.
- W330897355 hasConceptScore W330897355C107038049 @default.
- W330897355 hasConceptScore W330897355C122980154 @default.
- W330897355 hasConceptScore W330897355C124952713 @default.
- W330897355 hasConceptScore W330897355C138885662 @default.
- W330897355 hasConceptScore W330897355C142362112 @default.
- W330897355 hasConceptScore W330897355C153349607 @default.
- W330897355 hasConceptScore W330897355C15744967 @default.
- W330897355 hasConceptScore W330897355C162324750 @default.
- W330897355 hasConceptScore W330897355C164913051 @default.
- W330897355 hasConceptScore W330897355C166957645 @default.
- W330897355 hasConceptScore W330897355C187736073 @default.
- W330897355 hasConceptScore W330897355C199033989 @default.
- W330897355 hasConceptScore W330897355C2777200299 @default.
- W330897355 hasConceptScore W330897355C2778311575 @default.
- W330897355 hasConceptScore W330897355C2779343474 @default.
- W330897355 hasConceptScore W330897355C41895202 @default.
- W330897355 hasConceptScore W330897355C44819458 @default.
- W330897355 hasConceptScore W330897355C46312422 @default.
- W330897355 hasConceptScore W330897355C77805123 @default.
- W330897355 hasConceptScore W330897355C95457728 @default.
- W330897355 hasIssue "4" @default.
- W330897355 hasLocation W3308973551 @default.
- W330897355 hasOpenAccess W330897355 @default.
- W330897355 hasPrimaryLocation W3308973551 @default.
- W330897355 hasRelatedWork W132670671 @default.
- W330897355 hasRelatedWork W1528397622 @default.
- W330897355 hasRelatedWork W1529859124 @default.
- W330897355 hasRelatedWork W158703186 @default.
- W330897355 hasRelatedWork W1943097448 @default.
- W330897355 hasRelatedWork W2044774055 @default.
- W330897355 hasRelatedWork W2047690348 @default.
- W330897355 hasRelatedWork W2137395256 @default.
- W330897355 hasRelatedWork W2149186078 @default.
- W330897355 hasRelatedWork W2262810915 @default.
- W330897355 hasRelatedWork W2347752196 @default.
- W330897355 hasRelatedWork W2605664404 @default.
- W330897355 hasRelatedWork W2609259310 @default.
- W330897355 hasRelatedWork W2766281649 @default.
- W330897355 hasRelatedWork W2952395713 @default.
- W330897355 hasRelatedWork W298064954 @default.
- W330897355 hasRelatedWork W3192988312 @default.
- W330897355 hasRelatedWork W325129002 @default.
- W330897355 hasRelatedWork W2418304072 @default.
- W330897355 hasRelatedWork W2601886137 @default.
- W330897355 hasVolume "69" @default.
- W330897355 isParatext "false" @default.
- W330897355 isRetracted "false" @default.
- W330897355 magId "330897355" @default.
- W330897355 workType "article" @default.