FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W343722237> ?p ?o ?g. }

• W343722237 startingPage "241" @default.
• W343722237 abstract "Annemarie Jacir discusses her background and artistic vision as it has culminated, most recently, in her award-winning 2008 feature film Salt of this Sea. Jacir explains how her film, which traces the experiences of Soraya--a Palestinian-American woman (portrayed by poet Suheir Hammad)--as she attempts to reclaim her family home, was made and how it has been received internationally. Furthermore, Jacir details her struggles as a Palestinian filmmaker to film inside of Israel, and the ways that her work explores the Nakba and its trauma for Palestinians in the United States and throughout the world. ********** Introduction Annemarie Jacir--poet, director, and activist--was interviewed in summer 2010 for this issue of Alif. The interviewers put questions in writing, and she answered in writing. Jacir is an emerging Palestinian figure in cinema. Her films include shorts, documentaries, and feature films. Her most recent film Salt of this Sea (2008) won several awards including the FIPRESCI Film Critics Prize and was covered extensively in the media. Jacir lived in Saudi Arabia until the age of sixteen, and then received her higher education in the United States. From 1974 to 1987, she split her time between Saudi Arabia and Palestine. She returned to Palestine in 1992, and taught at Bethlehem University. In the US, she began her work in theater, writing and directing plays. Her career in cinema began as an editor and camerawoman. She worked in the film industry in Los Angeles before attending Columbia University in New York to obtain an MFA degree in Film Studies. She has been living in Amman, Jordan since she was denied entry to Palestine in November 2007. Along with Hamid Dabashi, she co-founded the groundbreaking Dreams of a Nation project dedicated to the promotion of Palestinian cinema, of which she acted as chief curator. In 2003, she organized and curated the largest traveling film festival in Palestine, which included the screening of archival Palestinian films. Among her films are: Salt of this Sea, Sound of the Street, An Explanation: (and then burn the ashes), A Few Crumbs for the Birds, Until When, Like Twenty Impossibles, Palestine is Waiting, The Satellite Shooters, Two Hundred Years of American Ideology , A Revolutionary Tale, and A Post-Oslo History. The interviewers, from the US and the Middle East, specialize in Literature, American Studies, Cultural Criticism, Visual Anthropology, and Film Studies. Moustafa Bayoumi is Associate Professor of English at Brooklyn College, City University of New York. He is the editor of Midnight on the Mavi Marmara: The Attack on the Gaza Freedom Flotilla and How It Changed the Course of the Israel/Palestine Conflict, the co-editor of The Edward Said Reader and the author of How Does It Feel to Be a Problem? : Being Young and Arab in America. Hamid Dabashi is Professor of Iranian Studies and Comparative Literature at Columbia University. He is a prolific author whose books include: Masters and Masterpieces of Iranian Cinema, Post-Orientalism: Knowledge and Power in Time of Terror, and The World is My Home: A Hamid Dabashi Reader. Ferial Ghazoul is Professor of English and Comparative Literature at the American University in Cairo. She is the author of Nocturnal Poetics and the editor of Edward Said and Critical Decolonization and Alif. She has published on Palestinian literature, and teaches an interdisciplinary course on the Palestinian question. Mark Westmoreland is Assistant Professor of Anthropology at the American University in Cairo. He is a documentary filmmaker and a visual anthropologist. He co-founded SEED Documentary Collective to facilitate public history projects of under-represented communities. He has written and published on experimental documentaries in post-war Lebanon. Interview Ferial Ghazoul: What in your roots or upbringing got you interested in the Palestinian question, on the one hand, and in film as artistic genre, on the other hand? …" @default.
• W343722237 created "2016-06-24" @default.
• W343722237 creator A5032762425 @default.
• W343722237 date "2011-01-01" @default.
• W343722237 modified "2023-09-23" @default.
• W343722237 title "I Wanted That Story to Be Told (Interview)" @default.
• W343722237 hasPublicationYear "2011" @default.
• W343722237 type Work @default.
• W343722237 sameAs 343722237 @default.
• W343722237 citedByCount "1" @default.
• W343722237 countsByYear W3437222372017 @default.
• W343722237 crossrefType "journal-article" @default.
• W343722237 hasAuthorship W343722237A5032762425 @default.
• W343722237 hasConcept C114362828 @default.
• W343722237 hasConcept C142362112 @default.
• W343722237 hasConcept C144024400 @default.
• W343722237 hasConcept C153349607 @default.
• W343722237 hasConcept C195244886 @default.
• W343722237 hasConcept C29595303 @default.
• W343722237 hasConcept C519580073 @default.
• W343722237 hasConcept C52119013 @default.
• W343722237 hasConcept C59430087 @default.
• W343722237 hasConcept C95457728 @default.
• W343722237 hasConceptScore W343722237C114362828 @default.
• W343722237 hasConceptScore W343722237C142362112 @default.
• W343722237 hasConceptScore W343722237C144024400 @default.
• W343722237 hasConceptScore W343722237C153349607 @default.
• W343722237 hasConceptScore W343722237C195244886 @default.
• W343722237 hasConceptScore W343722237C29595303 @default.
• W343722237 hasConceptScore W343722237C519580073 @default.
• W343722237 hasConceptScore W343722237C52119013 @default.
• W343722237 hasConceptScore W343722237C59430087 @default.
• W343722237 hasConceptScore W343722237C95457728 @default.
• W343722237 hasIssue "31" @default.
• W343722237 hasLocation W3437222371 @default.
• W343722237 hasOpenAccess W343722237 @default.
• W343722237 hasPrimaryLocation W3437222371 @default.
• W343722237 hasRelatedWork W1504528032 @default.
• W343722237 hasRelatedWork W1558910819 @default.
• W343722237 hasRelatedWork W1980554793 @default.
• W343722237 hasRelatedWork W1981242897 @default.
• W343722237 hasRelatedWork W2011589078 @default.
• W343722237 hasRelatedWork W2019740824 @default.
• W343722237 hasRelatedWork W2143941074 @default.
• W343722237 hasRelatedWork W2253578676 @default.
• W343722237 hasRelatedWork W2532613814 @default.
• W343722237 hasRelatedWork W2587830173 @default.
• W343722237 hasRelatedWork W2780272738 @default.
• W343722237 hasRelatedWork W284918057 @default.
• W343722237 hasRelatedWork W2949388630 @default.
• W343722237 hasRelatedWork W297539798 @default.
• W343722237 hasRelatedWork W2992200926 @default.
• W343722237 hasRelatedWork W306325946 @default.
• W343722237 hasRelatedWork W314872181 @default.
• W343722237 hasRelatedWork W40092635 @default.
• W343722237 hasRelatedWork W60570635 @default.
• W343722237 hasRelatedWork W315681084 @default.
• W343722237 isParatext "false" @default.
• W343722237 isRetracted "false" @default.
• W343722237 magId "343722237" @default.
• W343722237 workType "article" @default.