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- W369030965 abstract "This paper explores how the musical space of the urban festival Kokura Gion manifests as a result of the differing performing practices, through the comparative analysis of rhythmic patterns and choreographic features, illustrating the urban geographic polarity as a reflection of musical disparity. Kokura Giondaiko, originally ritual but largely festivatized music, has a unique drumming- featured style that is characterized by valiant choreographic beating sideways from both sides as drummers walk. The ritual with almost four hundred year history has allowed inclusion of women, local institutions, and voluntary associations, and inaugurated processional and drumming competitions prompted by the intended improvement of post-industrial urban depopulation that affects its conservation. Consequently, due largely to the allowance of stationary drumming style without requirement of a float, the performance practiced primarily by emerging youth voluntary troops became increasingly virtuosic that deviates the authentic and designated drumming style. The emergent musical differences between the traditional and arranged in fact parallel their disparate geographic configuration: the former, community-based traditional troops have their own district based on the old demarcation, hence they are named after the no-longer-existent address, and the latter, with no historio-geographic connection with a specific place, are marginalized in open space before the gigantic commercial buildings of the postmodern architecture. In addition, the former with an inherited float have the musical route for their procession as opposed to the latter without float that do not move from the fixed and allotted spot where they engage in the stationary drumming style." @default.
- W369030965 created "2016-06-24" @default.
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- W369030965 date "2013-03-01" @default.
- W369030965 modified "2023-09-24" @default.
- W369030965 title "Spatial complexity : Musically Urbanized Kokura Gion Festival" @default.
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