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• W402651116 abstract "African-American composer Ulysses Kay (1917-1995) wrote more than one hundred forty compositions in a wide range of forms--five operas, over twenty large orchestral works, more than thirty choral compositions, fifteen chamber works, a ballet, and numerous other compositions for voice, solo instruments, film, and television. (1) Born in Tucson, Arizona to a musical family, Kay was encouraged by both his mother and her brother, Joe King Oliver, to study piano, violin and saxophone. He entered the University of Arizona in 1934, receiving the Bachelor of Music in 1938. For the next two years he studied composition at the Eastman School of Music, University of Rochester, with Bernard Rogers and Howard Hanson, and received the Masters in Music in 1940. From 1941 to 1942 he studied with Paul Hindemith at Tanglewood and at Yale University. Compositions from this period include the Sinfonietta for Orchestra, the ballet Danse Calinda, and Three Fanfares for Four Trumpets. During World War II, Kay served in the U. S. Navy, playing with and arranging for the Navy Band, stationed at Quonset Point, Rhode Island. His most prominent composition from this period is Of New Horizons for concert band. Commissioned by Thor Johnson and performed by the New York Philharmonic, its premier took place in Lewisohn Stadium on July 29, 1944. Upon discharge from the Navy, Kay received the Alice M. Ditson Fellowship for creative work at Columbia University, where he studied with Otto Luening from 1946 to 1947. During the summers, he was a resident at the Yaddo Festival in Saratoga Springs, New York, where he would return six times, later joined by wife Barbara, through 1971. Major works from this period include: Danse Calinda Suite; Rope for solo dancer and piano; Concerto for Orchestra; and the film music for Quiet One, a documentary film about Donald Thompson, then ten years old, by Janice Loeb, Sidney Meyers, and Helen Levitt, with commentary by James Agee and additional photography by Richard Bagley. Many honors and scholarships followed, including a Fulbright Scholarship, grants from the Guggenheim Foundation and the National Institute of Arts and Letters, and a Julius Rosenwald Fellowship. From 1949 to 1952, Kay received two Prix de Rome awards that allowed him to travel and study in Italy. The first African-American to receive the prize, it gave him residence in the American Academy in Rome, along with his new bride, Barbara Harrison of Chicago, whom he had married on August 20, 1949. Compositions from this period include: a piano quintet, a string quartet, a brass quartet, Sinfonia in E for orchestra, and Song of Ahab, a cantata for baritone and ten instruments. Returning to New York, Barbara taught music in Manhattan, and Ulysses accepted a position with Broadcast Music, Inc. (BMI) that would last from 1953 until 1968. Turning down several teaching positions, he obtained a job that gave him a regular schedule, allowing him to compose as much as possible. Compositions include: A Lincoln Letter, an a cappella work for mixed chorus and bass soloist; Six Dances for String Orchestra; Fantasy Variations for Orchestra; and two operas, Boor, and Juggler of Our Lady. In 1958, Kay was a member of the first delegation of composers to the Soviet Union, a part of the U.S. State Department's Cultural, Educational and Technical Exchange Agreement. The others in his group were Roy Harris, Peter Mennin, and Roger Sessions. During the month-long trip, Kay appreciated the interest in jazz expressed by Russian composers and he played them recordings of the music of Miles Davis, Duke Ellington, Thelonious Monk, Louis Armstrong, and Johnny Richards, among others. He also attended performances of his own compositions, those of his fellow delegates, and the works of Russian composers. Upon his return, Hi-Fi Review published his account of the trip entitled Thirty Days in Musical Russia. …" @default.
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• W402651116 date "2012-03-22" @default.
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• W402651116 title "Ulysses Kay Archive: Columbia University Rare Book and Manuscript Library" @default.
• W402651116 doi "https://doi.org/10.7916/d8f47mph" @default.
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