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- W410733755 abstract "1. Introduction Cultural context: Vienna at the crossroads 2. The order of ornament in nineteenth-century theories of style John Ruskin and the representation of divine order Owen Jones and natural structure Gottfried Semper and evidence of function Alois Riegl and the psychological disposition 3. Ornament of language The language of architecture Ornament as emblem The formal sign Symbolizing the creative process The perceptual signifier 4. Visual evidence The emblematic Structural signs Functional symbols Perceptual stimuli Palais stoclet as Gesamtkunstwerk 5. Conclusion Consequences The subsequent impact." @default.
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- W410733755 date "2003-09-01" @default.
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- W410733755 title "The order of ornament, the structure of style: theoretical foundations of modern art and architecture" @default.
- W410733755 doi "https://doi.org/10.5860/choice.41-0084" @default.
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