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• W4200192112 abstract "Research Article| December 01 2021 Big Feelings: Feminist Affect In Indie Rock After 2000 Dan DiPiero Dan DiPiero The Ohio State University Email: dan.dipiero@gmail.com Dan DiPiero is a musician and lecturer in the Department of Comparative Studies at the Ohio State University. His work has appeared in Critical Studies in Improvisation, Rancière and Music (Edinburgh University Press), Sounding Out!, Audimat, and the Los Angeles Review of Books. His first monograph, Contingent Encounters: Improvisation in Music and Everyday Life, is forthcoming with University of Michigan Press. Search for other works by this author on: This Site PubMed Google Scholar Journal of Popular Music Studies (2021) 33 (4): 16–22. https://doi.org/10.1525/jpms.2021.33.4.16 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Dan DiPiero; Big Feelings: Feminist Affect In Indie Rock After 2000. Journal of Popular Music Studies 1 December 2021; 33 (4): 16–22. doi: https://doi.org/10.1525/jpms.2021.33.4.16 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu nav search search input Search input auto suggest search filter All ContentJournal of Popular Music Studies Search Hi everyone, thanks for tuning in. My paper is too long, so I’m going to get right to it. The purpose of this paper and its broader idea is to formulate one of many possible responses to the question, What happened to feminism in indie rock after riot grrrl?1 In both mainstream criticism and in music scholarship, the conventional and to a large degree accurate narrative about feminism in popular music usually pivots away from rock around 1995, when The Spice Girls heralded the coming postfeminist turn.2 But while postfeminist pop music—from The Spice Girls to Avril Lavigne all the way to Taylor Swift—has clearly constituted the dominant articulation of feminism in popular music since that time, feminist indie rock has continued to exist, and more recently, to thrive. Here, I am not concerned with describing the state of indie rock generally, nor do I want to limit... You do not currently have access to this content." @default.
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