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- W4200419796 abstract "Abstract This chapter treats “samizdat” (self-publishing) and “magnitizdat” (audio tape self-publishing) in the late Soviet Union via the concept of the “voice.” Komaromi discusses a select set of examples including guitar poetry; Boris Pasternak’s Doctor Zhivago; Aleksandr Solzhenitsyn’s Gulag Archipelago, Evgeniia Ginzburg’s camp memoirs; poetry at Maiakovskii Square; and the texts of Leningrad second culture. These examples facilitate exploration of the way samizdat and magnitizdat related to official culture, even as they expanded the range of late Soviet culture far beyond what was allowed in print. They also make it possible to analyze the way samizdat and magnitizdat voices mediated between silence and speech, matter and spirit, presence and absence, and the individual and the collective, creating new ways for Soviet citizens to express themselves and be heard by one another." @default.
- W4200419796 created "2021-12-31" @default.
- W4200419796 creator A5083093674 @default.
- W4200419796 date "2021-12-08" @default.
- W4200419796 modified "2023-09-27" @default.
- W4200419796 title "The Voices of Samizdat and Magnitizdat" @default.
- W4200419796 cites W3210841790 @default.
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- W4200419796 doi "https://doi.org/10.1093/oxfordhb/9780197508213.013.8" @default.
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