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- W4200420899 abstract "Research Article| December 01 2021 Who Dat? Music, Media and the (Re)Defined Spirit Nation Sarah Suhadolnik Sarah Suhadolnik University of Iowa Email: sarah-suhadolnik@uiowa.edu Sarah Suhadolnik is a lecturer in musicology at the University of Iowa, where she teaches courses in American music, jazz, pop, and Western art music. Her research centers on overlapping ideas of music and place—particularly those that highlight the ways in which public perceptions of dynamic musical landmarks, such as New Orleans, are shaped by their popular musical representation. She has served as a member of the editorial staff of the Music of the United States of America series and the University of Michigan Gershwin Initiative. Search for other works by this author on: This Site PubMed Google Scholar Journal of Popular Music Studies (2021) 33 (4): 59–63. https://doi.org/10.1525/jpms.2021.33.4.59 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Sarah Suhadolnik; Who Dat? Music, Media and the (Re)Defined Spirit Nation. Journal of Popular Music Studies 1 December 2021; 33 (4): 59–63. doi: https://doi.org/10.1525/jpms.2021.33.4.59 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu nav search search input Search input auto suggest search filter All ContentJournal of Popular Music Studies Search This paper examines the component parts, and functions, of the “hype-video” in sports. Special attention is paid to the aesthetic freedoms deployed to 1) give new definition to otherwise anonymous, color-coordinated crowds, and 2) to adjust this mediated image of “Spirit Nation” at will. A comparison of “hype-videos” for Detroit-area teams and New Orleans teams framed by several years of fieldwork reveals contrasting civic recovery narratives, reframing team affiliation as a mutable form of cultural identity. The esteemed jazz trumpeter and New Orleans Native Wynton Marsalis is no stranger to the New Orleans musical tribute. Indeed, without any further prompting, one might imagine the following is a clip from a jazz documentary—a colorful celebration of the widely recognized birthplace of the music with which he is associated: This is not a clip from a jazz documentary though. The true inspiration for this particular performance was the so-called “Who Dat” Nation.... You do not currently have access to this content." @default.
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- W4200420899 title "Who Dat? Music, Media and the (Re)Defined Spirit Nation" @default.
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