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- W4206200317 abstract "54 worldliteraturetoday.org D. Natsagdorj, who had studied in Germany during the late 1920s. The images, however, that are used in contemporary poetry come from a wide range of media—from dreams and visions, from traditional ideas and from the TV, too. I think that the Mongolian psyche is more tuned into what we might call irreality, the subconscious level at which we see things “that aren’t there” (or that may well be there, in fact), and these images populate Mongolian culture on a far more extensive basis than I believe happens in Western culture. SW: Many Mongolians are conscious that rapid economic changes will affect the categories by which individuals identify themselves. What kinds of subjects do contemporary Mongol authors create; what possibilities for identity does their work offer—and what do Mongol poets “say” to globalization and its damage to indigeneity and the nomadic Mongol lifestyle? SWS: There is still a very solid culture of Chinggisid Mongolia, of heroes and Khans, and a culture, too, of memoir, of reminiscence, of a childhood sentimentalized and romanticized so as perhaps to soften the blows of adulthood and of the rapidly changing world. Slowly, some writers are talking explicitly about urban life, about drugs and sex, about cars and trains, but generally the literary tradition still inhabits a pastoral, spiritual, traditional world. This of course is the “Mongolia” that foreigners might want to read For You O. Dashbalbar I was leading you, one snowy midnight. The world was flickering like stories, and we were walking among the stars, with snow falling on our faces. We were heading into the future, our children falling from the distant stars, like snowflakes, like stories. And, in the morning, we were joined eternally. You, a little girl, had become mother to my children. I waited for you on the path through the world. On many moonlit, moonless nights, there were sounds far off. My love for you was unconstrained, not as my lover, casually, but as my wife. Peaceful, you were, and gentle, and I loved you naturally. You gave me children on the springtime grass. Within your hot tears, I became a man. I feel you in my body, I know you in my mind. When I see you, I know you, and when I touch you, I know you. Twenty years ago, we two greeted the snowfall winter, and our paths remained two. I followed the way that showed me Heaven. My love, you were a girl of this world. Among the snowfall stars, you and I are moving onward, over the river of time, over the bridge that shows Heaven . . . Out of the depth between the silent stars, snow is falling on our faces. You and I are moving onward. . . . Translation from the Mongolian By Simon Wickham-Smith Ochirbatin Dashbalbar was born in Dariganga Province, Mongolia, in 1957 and died in 1999. He studied at the Gorky Institute in Moscow and served as an independent deputy in the Mongolian Parliament from 1994 until his death. ..." @default.
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- W4206200317 date "2014-01-01" @default.
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- W4206200317 title "For You" @default.
- W4206200317 doi "https://doi.org/10.1353/wlt.2014.0201" @default.
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