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• W4210368326 abstract " Reviews two things: describe the design of the dctp-website, the online profile of Klugés television production company, and explain the topoi of sky and celestial bodies in Klugés system. (It is rather unfortunate that, just two months aer publication of Toward Fewer Images, the website underwent a relaunch and is now designed differently; this by no means invalidates Ekardt´s points, though it does render his main example outdated.) Of clear importance—in terms of further disseminating Kluge’s œuvre and method—are Ekardt´s explanations in the Preface’s ‘A Note on Translation’. He states that ‘Klugés approach to handling the translation of his writing resembles his method of producing perpetually modified, sometimes expanded, sometimes cut, sometimes adapted versions of earlier works. [. . .] it was necessary to translate not only untranslated works but also untranslated sections of works for which translations otherwise exist’ (p. xxviii). In conclusion, to call Toward Fewer Images a treat for anyone interested in Klugés work would be an understatement. It is the first English-language account to aspire to cover Klugés work by focusing on his method, and it masters the material in an impressive manner. rough an approach which obviously resembles that of Kluge, Ekardt offers an analysis which opens the corpus up for further investigation. It will provide newcomers to Kluge with an accessible introduction to this complex world, while advanced Kluge devotees will find in this book a strong stimulus for future discussions. e openness and yet density of description, conveyed without loss of overall perspective, are the great advantages of a book which looks set to become a milestone in Kluge scholarship. T C D K R German Jewish Literature aer . Ed. by K G and A M. Rochester, NY: Camden House. .  pp. $; £. ISBN ––– –. While the late s and early s saw a spike in publications on what was then contemporary German Jewish writing (among others Reemerging Jewish Culture in Germany, ed. by Sander L. Gilman and Karen Remmler (New York: New York University Press, ); omas Nolden, Junge jüdische Literatur (Würzburg: Königshausen & Neumann, ); Deutsch-jüdische Literatur der Neunziger Jahre, ed. by Sander L. Gilman and Hartmut Steinecke (Berlin: Schmidt, )), the conversation seems to have ebbed away again in recent years. is volume by Katja Garloff and Agnes Mueller is therefore most welcome, as it promises to continue the lines of enquiry established by earlier contributions, while also bringing important updates to the debate. e editors take the period between the post-unification years and the present moment as one in which certain shis in German Jewish culture and discourse have occurred which warrant a reconsideration not only of present-day Jewish identities but also of ‘the very concept of “German Jewish literature”’ (p. ). ese include the restructuring of German Jewish communities through the influx MLR, .,   of the so-called ‘Kontingentflüchtlinge’ and their Russian and Eastern European heritages, the (re-)emergence of anti-Semitism, and various shis in Holocaust memory . e guiding questions that emerge throughout the volume concern, on the one hand, the centrality of the Holocaust for German Jewish identities today, given that it is being increasingly complemented by other, mostly Eastern European, memories of violence, while also becoming ever more historically distant. On the other hand, many of the volume’s contributions query whether Dan Diner’s ocited notion of the ‘negative symbiosis’ between Germans and Jews, which frames the Holocaust as the cornerstone of post-war German Jewish relationships and German and Jewish identities, still applies (see Diner, ‘Negative Symbiose: Deutsche und Juden nach Auschwitz’, Babylon,  (), –). Reflecting these larger concerns, many of the volume’s chapters either engage with newly emerging authors (oen of Eastern European descent) who have not yet been studied extensively or attempt to read established authors in a new light. e volume is divided into three parts and a Coda, which includes interviews with two prominent third-generation writers (Olga Grjasnowa, Mirna Funk). e first part, entitled ‘Self Reflection in First- and Second-Generation Authors’, features fairly well-known German and German Jewish writers, examining questions of authorship, genre..." @default.
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• W4210368326 date "2020-01-01" @default.
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• W4210368326 title "German Jewish Literature after 1990 by Katja Garloff Agnes Mueller" @default.
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