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• W4210482924 abstract "MLR, 10 1 .3, 2oo6 845 one agrees with his decisions or not-his edition could be a useful part of a graduate course on textual criticism and editing technique. PEMBROKE COLLEGE, CAMBRIDGE SYLVIA HUOT Les Exposicions sur Verite mal prise. Le Dit de Verite. By GEORGES CHASTELLAIN. Ed. by JEAN-CLAUDEDELCLOS. (Textes de laRenaissance, go) Paris: Champion. 2005. 271 pp. E54. ISBN 2-7453-1I39-5. Jean-Claude Delclos's edition of these two, related texts is a welcome addition to the growing body of critical editions of French and Burgundian literature from the later fifteenth century. In the case of Chastellain, we have had to rely until recently on J.Kervyn de Lettenhove's (Euvres, 8 vols (Brussels: Heussner, I863-66) for the majority of his works. The Exposicions is a prose commentary on the Dit, a poem composed by the Burgundian historiographer towards the end of the reign of Charles VII, a time of crisis in Franco-Burgundian relations. The political critique voiced by the Dit was, the Exposicions tells us, badly received in France, and it is in order to defend the truth of this Dit, to justify himself and his patron against the 'mesveillance' it provoked, that Chastellain undertakes the 'exposicion' of his earlier work. Delclos presents a clear and uncluttered edition, limiting the critical apparatus (in footnotes) to textual notes recording significant variant readings or additions and corrections present in the base manuscript, and selective critical notes clarifying or expanding intertextual references, suggesting parallel passages from elsewhere in Chastellain's ceuvre, or identifying historical characters. The edition of both texts is followed by an extensive glossary, and a handy index of proper names (including personifications). In a concise but wide-ranging introduction to the edition, Delclos explains the political context of the two works, and presents in some detail how the Exposicions constitutes a response to the Dit. One particularly interesting section analyses the voix multiples-the tension between the voices of patron and poet that is discernible in the Exposicions. Delclos then situates the Exposicions in relation to Chastellain's Chroniques and the peace-weaving ambition he identifies as an essential feature of them. This introductory apparatus concludes by presenting themanuscript tradition (there is only one extant manuscript that presents a complete text of the Exposicions), discussing certain particularities of orthography and morphology present in the base manuscript, and noting the editorial principles observed. This is a valuable addition to Champion's Litterature des Rhetoriqueurs series (a subset of its Textes de laRenaissance collection). Delclos's edition of the Exposicions elicits the interest of scholars in a range of disciplines-historians, scholars of verna cular literature, aswell as linguisticians-and provides a launch pad for further study. In this light, itwould perhaps have been useful, especially to scholars approaching Chastellain for the first time or from a non-chronicle background, to have included (separate from the occasional bibliographical references mentioned in footnotes) a list of available editions of Chastellain's works, and also of recent critical works on Chastellain (especially by Delclos himself) to assist the scholar wishing to take further some of Delclos's proposed pistes de lecture. ST HILDA'S COLLEGE, OXFORD HELEN J. SWIFT ..." @default.
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• W4210482924 date "2006-01-01" @default.
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• W4210482924 title "Les Expositions sur Verité mal prise. Le Dit de Verité by Georges Chastellain" @default.
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