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- W4210908754 abstract "Military hospitals in Britain during the First World War cultivated a variety of activities that promoted healing for soldiers, of which music was central. This music was documented by soldiers in hospital-sponsored magazines such as The Hydra at Craiglockhart, an officers’ hospital in Edinburgh that specialized in treatment of shell shock. There, this article argues, music and sound were associated with a curative physicality and sensoriality, revealing the aural and tactile to be aligned within the ideology of the magazine and trauma therapies prescribed. Music's role in trauma narratives in The Hydra reflects the two approaches to shell shock treatment at the hospital. First, reviews identified weekly musical entertainments, which included singing, playing instruments and listening, as part Captain Arthur Brock's ‘cure by functioning’ regime. Second, narratives in literary contents that reference music in depicting memory and dreams reflect the Freudian psychotherapy used by Dr W. H. R. Rivers, a narrativizing process that I connect to the concept of ‘testimony’ in trauma studies. While the two approaches and their use of music are tied to social class, in both – as I show in drawing upon theories of Jean-Martin Charcot, Pierre Janet and Bessel van der Kolk – music is therapeutic because it is visceral – its curative properties lie in its ability to ultimately move the body and mind. Finally, drawing upon theories of cultural trauma by Jeffrey Alexander, this article posits that these narratives evince a self-fashioning of this shell-shocked community that has over time (amplified by the legacies of the hospital's most famous patients, Wilfred Owen and Siegfried Sassoon) become central to the dominant British cultural memory of the war. This article establishes music's role in narratives about trauma in First World War Britain, illuminating music's place in testimonies about not only hospital life and community formation, but also alienation, trauma and recovery; memory and mourning; and sacrifice and resilience." @default.
- W4210908754 created "2022-02-09" @default.
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- W4210908754 date "2022-02-07" @default.
- W4210908754 modified "2023-10-16" @default.
- W4210908754 title "‘Unearthly Music’, ‘Howling Idiots’, and ‘Orgies of Amusement’: The Soundscapes of Shell Shock at Edinburgh's Craiglockhart War Hospital, 1917–18" @default.
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- W4210908754 doi "https://doi.org/10.1017/s1479409821000288" @default.
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