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- W4210975028 abstract "In June, 1996, playwright August Wilson delivered a keynote address at the biennial gathering of the Theatre Communications Group (TCG), a professional organization of theatre artists and scholars. Arriving at the podium, the two-time Pulitzer Prize winner, who was widely considered to be the most influential voice active in the American theatre, surveyed the assembled audience. He saw the leaders of prominent regional theatres in the country, emerging young artists eager to take their places, and critics whose pens had the power to attract (or drive away) corporate and governmental funding. There were several hundred attendees. The vast majority of them were white. Wilson was not surprised by the composition of his audience. Having developed his seven history plays on the African American experience, which were part of a planned ten-play cycle, at regional theatres across the country en route to Broadway, the accomplished playwright was well aware of the complexion of American theatre. His success, his standing at the podium on that day and, more generally, as one of the world’s greatest living playwrights, was aided by many of the people who sat before him. Now, they were awaiting his remarks." @default.
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- W4210975028 date "2012-10-25" @default.
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- W4210975028 title "Introduction" @default.
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- W4210975028 doi "https://doi.org/10.1017/cco9781139062107.002" @default.
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