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- W4211202134 abstract "Dead women litter the cultural landscapes of the 2000s. Their bodies appear at the beginning of films and television shows, inciting the narratives that follow. The audience might witness a sequence of events leading to the moment of a woman’s violent death; most often the audience sees the aftermath of murder: a woman’s corpse. In an increasing number of cultural products, a dead woman comes back to life, either as a reanimated corpse or as a normally appearing person in a liminal state between life and the afterlife. In other cases—especially in news stories about young women who have disappeared—the dead woman is herself invisible. She has only a spectral presence conveyed through photographs of her when she was alive, repurposed to animate and individualize stories about her death. The dead women in visual texts interact with the living: they look back, talk back, or are championed by those who look and talk back on their behalf. Using examples from three sites across the visual field—film, television, and Internet-mediated news—I make the case that the images and stories of dead women have both a haunting power and a disciplining function." @default.
- W4211202134 created "2022-02-13" @default.
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- W4211202134 date "2014-01-01" @default.
- W4211202134 modified "2023-09-24" @default.
- W4211202134 title "Introduction" @default.
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- W4211202134 doi "https://doi.org/10.1057/9781137452283_1" @default.
- W4211202134 hasPublicationYear "2014" @default.
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