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- W4212855708 abstract "Perceiving something as an artwork usually requires a kind of ‘seeing-in’—seeing past surfaces to what is represented and/or to what is expressed. This gives artworks a kind of double identity that is matched by a kind of double consciousness on the part of the perceiver. This chapter describes the role of the imagination in sustaining this double consciousness, which is related to so-called ‘aesthetic distance’. It considers various similarities and differences between moral perception and aesthetic perception." @default.
- W4212855708 created "2022-02-24" @default.
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- W4212855708 date "2013-07-25" @default.
- W4212855708 modified "2023-09-25" @default.
- W4212855708 title "Aesthetic Perception" @default.
- W4212855708 doi "https://doi.org/10.1093/acprof:oso/9780199678440.003.0007" @default.
- W4212855708 hasPublicationYear "2013" @default.
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