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- W4213371635 abstract "The final chapter moves away from earlier conceptions of abstraction in literature elucidated in the book, such as a literature that is non-representational, iconographic, or satirical of its own existence as art, to mark out the rising ambitions within the British post-war novel towards a new brand of visualization influenced by screen culture. Considering the varied approaches taken by the novelists John Berger, Christine Brooke-Rose, and B. S. Johnson towards the novel as a construct, as novel and as ‘anti-novel’, the discussion scrutinizes the visible layers of truth and artifice in post-war fiction in order to prompt new and more resonant ways of looking in, at, and through literary narrative." @default.
- W4213371635 created "2022-02-24" @default.
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- W4213371635 date "2022-01-20" @default.
- W4213371635 modified "2023-09-28" @default.
- W4213371635 title "‘Seeing Comes before Words’" @default.
- W4213371635 doi "https://doi.org/10.1093/oso/9780198852698.003.0005" @default.
- W4213371635 hasPublicationYear "2022" @default.
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