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- W4214487088 abstract "Most of this book has been concerned with loosely paired pairs of plays: Julius Caesar and Hamlet, Troilus and Cressida and Othello, Timon of Athens and King Lear. With Coriolanus, Shakespeare completed something like a triptych, the other two panels being Macbeth and Antony and Cleopatra. All three focus on soldier heroes and are studies in the relation of personal power to political authority; in all three masculine heroism is partially defined by a female vision of it.1 Coriolanus, though, stands in contrast to both its companion tragedies, and is significantly itself in its difference from both. It belongs with Antony and Cleopatra in its lack of the visionary supernatural which so shapes the action of Macbeth. The gods are much invoked in Coriolanus but never for more than formal rhetorical emphasis; they do not even vivify the language of the play with the sort of high colour and amplifying intensity of the mythic allusions in Antony and Cleopatra" @default.
- W4214487088 created "2022-03-02" @default.
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- W4214487088 date "1992-01-01" @default.
- W4214487088 modified "2023-09-25" @default.
- W4214487088 title "Coriolanus" @default.
- W4214487088 doi "https://doi.org/10.1057/9780230379190_10" @default.
- W4214487088 hasPublicationYear "1992" @default.
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