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- W4220786598 abstract "The debates over “multiculturalism” offer a useful starting point for an understanding of the state of US fiction at the beginning of the 1980s. The widespread institutional acceptance of the idea that resulted from that decade's so-called culture wars in the United States was a crucial conceptual development for fiction writers and scholars, but by 2020 the idea of “multiculturalism” as a critical category had largely outlived its usefulness. In fact, what is at stake in those US literatures that were identified with multiculturalism during the 1980s becomes clearer if they are seen, not as “multicultural literatures,” but rather as “emergent literatures,” a term adapted from the work of the neo-Marxist theorist Raymond Williams. These dynamics are, in turn, further illuminated if they are mapped against the development of theories of cosmopolitanism away from critiques of nationalism and toward critiques of both universalism and multiculturalism. Cosmopolitan theory at the start of the twenty-first century sought to find ways to balance the competing claims of sameness and difference in accounts of culture. Like cosmopolitan theorists, US emergent writers after 1980 understood that storytelling was a crucial way that cultures make meaning. These authors were committed to staging difficult conversations in their writing in which fundamental values associated with the ideas of self, identity, community, and nation were open to question." @default.
- W4220786598 created "2022-04-03" @default.
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- W4220786598 date "2022-03-25" @default.
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- W4220786598 title "Multiculturalism" @default.
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- W4220786598 doi "https://doi.org/10.1002/9781119431732.ecaf0254" @default.
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