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- W4220797832 abstract "Abstract Despite the enormous success of the 1923 season, Diaghilev reorients the Ballets Russes toward the aesthetics of Jean Cocteau and the French composers known as “Les Six.” In Monte Carlo he organizes a season of “Ballets Classiques,” with an abbreviated version of Swan Lake as a highlight, and a month-long “Festival Français,” which offers a cycle of French operas and ballets invoking the Grand Siècle but viewed through a modern sensibility. With Belloni off the scene, Nijinska is responsible for choreographing all the new ballets, refreshing old ones, and creating dances for all the operas. She choreographs a second master work, Les Biches, to the music of Francis Poulenc, that reveals her continued fascination with gender ambiguity, her lack of interest in narrative, and her effort to forge a contemporary ballet language. In addition to teaching company class, she works privately with Anton Dolin, whom Diaghilev is grooming as a company star." @default.
- W4220797832 created "2022-04-03" @default.
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- W4220797832 date "2022-07-07" @default.
- W4220797832 modified "2023-09-28" @default.
- W4220797832 title "<i>Les Biches</i>" @default.
- W4220797832 doi "https://doi.org/10.1093/oso/9780197603901.003.0006" @default.
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